There, his grandfather, who had fought in the United States Cavalry against the Mexican outlaw revolutionary Pancho Villa, introduced him to horseback riding and rodeo competition. When Chris was 14 years old, the family moved to Austin, Texas. As a child, he lived in many different places with his parents. He was born in Biloxi, Mississippi, in 1948, and his father was a pilot in the Air Force. LeDoux lived the rodeo life and sang about it for many years, but he was not born into it. By the early 1990s, however, he had broken through to a national country music audience. For many years, he sold his musical creations at the same rodeos where he competed. LeDoux is a true musical counterpart to the cowboy poets who sometimes appear at western folk festivals, a chronicler in song of rodeo and range. But for a long time, his songwriting talents played the most important role. Identifying rodeo enthusiasts as an underserved musical market played a part in LeDoux ’s success, as did a noteworthy example of family cooperation and support. But LeDoux laid claim to both of these worthwhile accomplishments. Scarce, too, are those who have kept the ancient American art of the cowboy song alive in the last quarter of the twentieth century. Rare indeed are the musicians who succeed in carving out profitable careers independent of the star-making machinery centralized in cities like Los Angeles, New York, and Nashville. A real rodeo cowboy in a musical world saturated with artificial ones, Chris LeDoux has pursued an unusual country music career in at least two respects.
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